Artists, if you haven't bought yourself an iPad yet, here are some reasons that you should.

1. You will have a resource for drawing and painting that is more versatile and more portable than any other existing media.

2. There are hundreds of terrific drawing and painting applications which take advantage of the the direct interface.  That means that you can create images the way you always have, using your hands on a surface.

3. When you work on an iPad, you are using the same gestures you would for working on paper or canvas, so sketching and drawing on an iPad helps to hone your skills just as drawing on traditional media does - what you do on your iPad will improve your work on paper!

4. Unlike painting with traditional means, an iPad allows you to carry hundreds of brushes, colors, pens, pencils etcetera, and switch between them with a simple touch.

5. Images made on the iPad with apps such as Autodesk Sketchbook Pro, or Paper can be printed - giving you a way to quickly create cards and posters, and also a method for perfecting a master drawing and then transferring it perfectly to the media of your choice.  Consider this:  if you print your drawings on paper or canvas, you can paint over them just as you would any other master drawing!

6. You no longer have to waste precious resources when you want to sketch or doodle - do it on your iPad, save it on your hard drive.  Its so easy to organize the work that you can easily catalogue everything, and have it accessible via browser, either at home, or online.  No need to carry a massive portfolio with you either - your iPad can give your clients and potential employers the chance to see large selections of your work without muss or fuss.

7. With the integration of text, you can keep extravagantly illustrated journals, and post them online instantly.

8. With the photo and video features on your iPad, you can keep your customers up to date on the state of their commissions.  Work on a painting, and use your iPad to upload progress updates!

9. When you draw on an iPad, the work is done directly on the surface, in real time.  Unlike working with a desktop, or laptop and a Wacom Tablet, there is no divide between the drawing and the viewing surface - so its just like drawing!

10.  Although drawing with your finger can be very rewarding, there are also hundreds of styluses available, with different shapes, feel, and sensitivity, so you can pick the ones that feel the best, or that give you the most comfortable control.

For many more examples of what you can do with and iPad and the Paper app from 53, visit this link:
http://www.tumblr.com/blog/greenmanwest

Drawing with Autodesk Sketchpad for iPod

Over the past few weeks I’ve set for myself the task of making a minimum of three paintings a day on my iPod.  Sometimes in the evening, I’ll make as many as 15 – though usually I prefer to keep it down to a handful, before moving into Photoshop on my laptop to do more involved work.
The iPod images have been more of a creative generator than anything else.  I remembered a series of paintings I did several decades ago inspired by the stone figure known as “Venus of Willendorf”.  For the iPod images, I’ve been using Venus. and a Priapic figure (man with erect member) as the guidelines for the images.  Beyond that, they are colorful and playful, not great art perhaps, but interesting
I’ve been working for a long time with automatic images and writing – that is, not having any fixed ideas when I begin an image or a poem – as a way of tapping in to my subconscious, and learning to play with my mind a bit.  The Autodesk Sketchpad app on my iPod is uniquely suited towards automata.
First, it is very easy to use, and furnishes a myriad of excellent brushes, flexible color palettes, and a direct drawing surface.  I bought a cheap combination touch stylus and ball point pen – and with it, drawing on the iPod Touch is just like drawing or painting on paper. 
Today I’m celebrating my 200th iPod/Sketchpad painting since the beginning of 2012.  Hopefully sometime this year I’ll be able to by a larger tablet (both iPads and Kindle Fires have versions of SketchPad – ) so that I can work on slightly more involved images.  For now, I’m enjoying doing the work on my tiny touchscreen, and making images that are the size of postcards.
Its an interesting corollary to the work I’m doing on my MAWMAP project.  There is a lot of flexibility in the digital imaging that I don’t have when I paint with gouache or watercolor. 
Its also been a great boost to my productivity in the manuscript though, because working with digital tools has allowed me to really expand and improve my drawing and painting skills.  I can try things out on my laptop, desktop, or iPod, and then work up the initial studies into fully painted or inked versions in the manuscript. 
Conversely, I’ve been enjoying the face that I can use digital scanning and character recognition to transfer my hand-written entries in the manuscript into Word or Pages documents with moveable type, so that after the initial automatic writing is finished, I can digitize and begin to edit the raw material into finished poems, stories, essays, or meditations, and then rewrite the finished work into the manuscript.  I’m thinking that the next volume will be a lot of images that were worked up in the digital format transferred into hand techniques. 

A Little Rant about writing that digresses to other things

Wacom tablets are terrific. I'm sitting at a desk with my laptop, writing this by hand with my Wacom  tablet. The software reads my awful handwriting (imagine your doctor's sig. on a very had day!). The software reads it and posts it in moveable type! Better still, If I write a message out as a Photoshop file, I can take the image into a translations program and have a "hand" written image as well as the moveable type version.The best of both worlds! Another item  I'm toying with as an element of my book project is using my iPod touch with a voice translation program (Dragon Dictation) so that I can record thoughts on the go, and have the translator output it as type.  I wonder what James Joyce might have accomplished had he had access to this stuff... He could have actually walked the strand beach and dictated as he went. This will definitely add a new dimension to stream of consciousness writing! Lately work on the physical book has been largely images. Long days painting and little energy for writing with pen and ink. Now with the new software I  can write or dictate my thoughts and use them later as basis for writing in the physical book. A friend suggested printing out the pages on my ink jet and pasting them into the book, but I think instead I may just use in Design or Photoshop to design a print version of the type and then either import scans of drawings and paintings, or add native photoshop images to spice things up. I want to create a bridge between the physical book and the digital one. I also need to think about ways that the digital becomes PURELY digital. I.E., moving images, live recorded segments, animations. A digital book should definitely do things the a physical book cannot. So: Dreamweaver, InDesign, Photoshop, Final Cut should all be a part of it. How Do I: get the two sides to interact in ways that make sense? It should be easy to make a digital copy of the physical volume, but what elements of the digital work world be appropriate to include in the other? I'm enjoying the challenge of trying to do something traditional in a contemporary fashion. So much has evolved over the past few years. The other day it occurred to me that if I attach my computer to my television, I can create imagery in photo shop that is native to a large screen television. I can use my kindle reader to read books on my television. So: my television becomes a book. My laptop becomes a book. My iPod becomes a book. Conversely, my book can become a webpage; my book can become a movie. My book can become an email or a text message, or a sound file (if read aloud) accompanied by a typeset version of the type file. Reading this now. I think that Science Fiction as understood it as a child is no longer FICT ION is no longer fiction. All the things that Dick and Heinlein and Ellison predicted are at our disposal now. Its an amazing time to be an artist, And we haven't even started to make a dent in what we can accomplish. There are new art forms waiting to be born, forms nobody has even dreamed of yet, forms that have entirely in the digital realm, things that are both concrete and ephemeral, art that exists in a new dimension of words and colors and movement and time. In the new art world, we can find ways of communicating ideas and stimulating thought that are immediately more powerful, useful, and accessible than anything we have had in the past. Here is something that I know for a fact. Call it my prophecy or my science fiction if you wish. That in the very near future somebody will create a form of information vehicle which beans no resemblance to a book a but it will be so efficient and easy to interact with that it will move through the human community the a virus.tall. It will function wholly in the digital realm. It will have no pages-and it won't be a scroll. It will take advantage of the sheer depth of memory and retrieval and imaging that a computer has to offer. or, perhaps, will use a new technology that we will not even recognize as a computer Something else that hasn't been thought of or invented yet. Hopefully will get there sooner rather than later. And I also suspect (though I won't say predict) that the mystical transformation that we hear about from the esoteric community will use this new form as its delivery system. For a change of cons Lives ness to occur instantaneously, in "the twinkling of an eye", all that would be necessary is for every human mind to see/ feel/ experience this one idea, P.o.V., image, thought, whatever at the same moment. I think that we are on our way to that, within reach of that, its nearly here. We should make our minds up as a species that we are going to get there. Set a date even, say December 21, 2012. That seems convenient Not the day of the great apocalypse that some are predicting: rather, the great revelation. Forgive my little rant.  If you’ve read it, you should know that all these writings are spurious, extemporaneous, off the cuff, written as I think them, without censoring.   If I am completely wrong on this, I will say that it was just a thought I had, there and gone, no deeply held belief
(beyond, perhaps, a wish that it be true!) If I’m right, I’ll say that I knew it from the start and pretend to be smart. 

New Endeavors

New endeavors are always good at the beginning of the new year. I've let this one go a bit late, as January is very nearly over but sometimes the intention has to account for something.